Submarines 2005 - ongoing

Since its invention by Nicephore Niépce in 1826-27, photography has provided us with glimpses of the many different worlds around (and within) us.

Scientific and medical photographs give us a window onto a previously invisible world; news & documentary photographs show us the world as others have experienced it; advertising photographs tempt us with the sugar-plumb world offered by the sponsor’s Product; family snapshots record the world as we will subsequently remember it and, in exhibitions and galleries, photographs of ‘moments-of-the-world-as-art’ confront us with scenes & events made special by the photographer's attention.

Some photographs create worlds by the act of recording them.

The camera describes our 3-dimensional world as a flat surface because, with its monocular ‘eye’, this Cyclops sees it as one. By depicting as a surface what our binocular vision interprets as depth & distance – and by extracting discrete ‘slices’ from what we experience as a seamless chronological continuum – the camera regularly confronts us with scenes and ‘moments’ otherwise invisible to a ‘bino-chrono’ consciousness like ours.

The scenes and ‘moments’ depicted in these photographs did not already exist ‘out there’ and so were not ‘taken’ but, as both the record and the product of the camera’s way of seeing, were instead created by the act of photographing them. Accordingly, I submit that these (and other) photographs are the result of an active (an act of) collaboration with the medium of photography.

I would like to take this opportunity to thank those who agreed to undergo the ordeal of posing for me. They did all the work; I just pushed the button.